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Late 1980–January 1981

The Shards

Late 1980–January 1981 marks an early, retrospectively significant phase in the novel’s intertwined timelines. The period links Robert Mallory’s presence in Los Angeles to the beginnings and temporary interruption of a series of home invasions, while the later investigation turns those dates into circumstantial evidence. It also sits against the background of the relationships and future plans that will become increasingly difficult to sustain as the story moves toward senior year.

A Timeline Reconstructed Later

The importance of the period becomes clearest when Bret Ellis later tries to persuade Dr. Croft that Robert’s movements match the crimes. Bret says the home invasions and assaults began in summer 1980, when Robert first came to Los Angeles from Chicago, and stopped when Robert left. They resumed when Robert returned for the holidays; Bret connects that return to further disappearances, including Sarah Johnson and Julie Selwyn. The chronology is a pattern Bret presents as evidence, not a proof that Robert committed the crimes. Croft warns that the inference is a substantial leap.

The retrospective account places this winter within a longer sequence of attacks. The Trawler had been operating in Los Angeles County since Katherine Latchford disappeared in June 1980, but the connection between victims and crimes was not yet publicly established. The Trawler’s name would emerge only later, after Julie Selwyn became the third victim and reporting joined the cases. Thus the dates of Robert’s presence acquire an ominous clarity in hindsight that they did not possess for the characters at the time.

Robert and the Emerging Pattern

Bret’s account makes Robert’s visits a central part of his suspicion: the first wave of home invasions coincides with Robert’s arrival from Chicago, and another wave begins with his holiday return. Bret also recalls that Robert had dated Katherine Latchford in the weeks before she disappeared in 1980, when Robert was staying with his aunt. These details connect Robert to the victims and to the crime timeline, but the narrative preserves the distinction between association and confirmed responsibility.

The broader city atmosphere reinforces that uncertainty. In the months surrounding the period, homes are watched and entered by members of the cult later identified as the Riders of the Afterlife, and Los Angeles experiences other unsettling incidents. The Trawler’s crimes are initially obscured by this accumulation of threats and rumors. Only later do a police memo, press coverage, and the Trawler’s own letters provide a clearer account of the serial pattern and its claims.

Relationships and Deferred Futures

The period also belongs to the history of Bret’s closest friendships. Thom Wright and Susan Reynolds have been dating since their sophomore years and are widely regarded as Buckley’s most popular couple. Bret is close to Susan and privately in love with both her and Thom, while recognizing that Thom is heterosexual. The group’s apparent ease and continuity contrasts with the later strain that begins in fall 1981, when the couple’s relationship changes.

Bret’s later relationship with Ryan Vaughn offers another perspective on adolescence and time. Ryan shares Bret’s wish to leave Buckley and Los Angeles and begin again elsewhere, but their intimacy must remain concealed. In September 1981, their weekend together at Bret’s empty house is recalled as a brief, private interval organized around desire, before the events of the past begin to intrude more fully. Decades afterward, Bret learns that Ryan lives with a partner in San Francisco; the news reopens the question of what might have followed had they been able to live openly. The period’s significance therefore lies not only in a suspicious crime chronology but in the different futures its young characters can imagine, postpone, or lose.